Original: $21.52
-65%$21.52
$7.53The Story
Object - Yuka Kobayashi
OBJECT / OBJECTION draws from Yuka Kobayashi’s 2020–2024 painting archive.
The title reflects duality: object as form, objection as resistance—positioning painting as botharchive and argument.
With a minimalist approach and “non-colors,” Kobayashi reveals each work’s structure. “Removing the color information allows us to consider the anonymity and fascination of intention projected onto the canvas through a monochrome mask, and to re-evaluate the relationship between color and the intention behind it in the painting.”
Stripped to their “skeletons,” the paintings become records of presence and motion. “Painting can be a recordable medium for transcription of body movement which traces how we existon this world.” By digitally extending textures, the works transcend flatness, inviting viewers to see painting as a living, shifting form that challenges perception."
- 117 pages
- Black an white image on light blue colour background
- A5 portrait (148mm x 210 mm)

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Object - Yuka Kobayashi
OBJECT / OBJECTION draws from Yuka Kobayashi’s 2020–2024 painting archive.
The title reflects duality: object as form, objection as resistance—positioning painting as botharchive and argument.
With a minimalist approach and “non-colors,” Kobayashi reveals each work’s structure. “Removing the color information allows us to consider the anonymity and fascination of intention projected onto the canvas through a monochrome mask, and to re-evaluate the relationship between color and the intention behind it in the painting.”
Stripped to their “skeletons,” the paintings become records of presence and motion. “Painting can be a recordable medium for transcription of body movement which traces how we existon this world.” By digitally extending textures, the works transcend flatness, inviting viewers to see painting as a living, shifting form that challenges perception."
- 117 pages
- Black an white image on light blue colour background
- A5 portrait (148mm x 210 mm)

























